영남일보 - 다큐멘터리 사진작가 자신의 내면을 기록하다...황인모
완벽하고 예쁜 흰색의 흔적들 촬영. 스스로 돌아보게하는 일종의 자화상
Economy talk news-Art Busan2018 Kim Wan, Simhyang, Sohn Paa, Ye Jinyoung, Mark Dziewulski (2018.4.20)
Economy talk news - Art Busan2018 김완·심향·손파·예진영·마크지불스키와 함께하는 갤러리 팔조
Economy talk news - 골판지로 빛의 공간 연출한 김완, 까칠한 선으로 '엣지'있는 자극 부여
"캔버스에 풀어낸 공포와 극복 과정"
침·플라스틱 조각 등 활용
‘문제풀이’ 주제 형상화
베니스비엔날레 참여 경험
새로운 자극제로 다가와
My 7 exhibitions to see in Venice during the 2017 Biennale
Personal Structures: Open Borders / Palazzo Bembo and Palazzo Moro
If you don’t have time to do the official Biennale but want something very similar, for free, go see this vast exhibition on the theme “Open Borders” curated by the European Cultural Center / GAA Foundation through two of their palazzi, with over 200 artists displayed – many of whom are young and still unknown. The works are loosely grouped around reflections about time, space and existence, rather than being forced to fit into a singular narrative. The exhibition reflects the organizing entity’s founding goal of creating a platform for dialogue amongst artists, cultural exchange and international mobility in the arts. The stand-out work IMO? Raffy Napay’s Will it play its wrath on earth, or nurture our survival is a hand-embroidered, immersive paradisiacal garden that is a joy to experience.
Also worthy of note is Simhyang’s discreet multi-layered embroidery on paper that, in a weird Korean way, this has a je-ne-sais-quoi of Giorgone to it, and I’m seeing a thread theme that sews its way over to the main Biennale exhibit. By ARTTRAV - Alexandra Korey